In this podcast we discuss the music called plainchant or plainsong - what it is, how did it arise and what effect does it have? We discuss the modal nature of the music, possible links to earlier Jewish intoning and the importance of resonance in recording. Bernard describes his research project in which subjects record their responses, relating to memory, emotion and transcendence. Three short extracts of the recordings he used are included in the podcast and fuller versions can be accessed through the links below. Some results are included before a diversion into philosopher Vladimir Jankélévitch and and quantum time. To conclude, Bernard talks about ways in which his research could be developed, not least the involvement of brain investigation. For a readable thesis on an under researched subject check out the link below .Participants: Bernard Salter, retired Anglican priest, organist and post-doctoral scholar.Ken Barrett, visual artist, writer and retired neuropsychiatrist: http://www.kenbarrettstudio.co.ukBernard's dissertation is here: https://etheses.dur.ac.uk/15491/Vladimir Jankélévitch: https://en.wikipedia.org/wiki/Vladimir_Jank%C3%A9l%C3%A9vitchA full version of plainchant sample A: https://www.youtube.com/watch?v=OvfjgSvq6KAThe full album 'Chant' by monks of Sana Domingo di Silo: https://www.youtube.com/watch?v=B3T8V-IM4XkA full version of plainchant sample C: https://www.youtube.com/watch?v=gZFaZWi2uSIIf you prefer female voices try this: https://www.youtube.com/watch?v=gn6gXCW_qucOpening music: Prelude to the opera Brainland, composed by Stephen Brown. Closing music: Introit for Christmas Day, from the album 'Chant' by monks of Sana Domingo di Silo, Spain.Brainland the opera website: www.brainlandtheopera.co.ukSketch by KB. Hosted on Acast. See acast.com/privacy for more information.